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IF YOU SEE SOMETHING, SAY SOMETHING, goes the MTA (NY public transport authority) imperative. A simple directive with a simple grammar that separates three simple steps in recognition and response.
First you there is the visual perception. The photons carrying visual information enter your eye and in the retina get converted to neuron signals which pass into your brain. A package in brown paper is given as an example. Second,  the silently presupposed step: you line up the perception in your brain against cognitive patterns, a grid of memories, experiences and possible scenarios. The one you are expected to employ in this context is the one of fear of unexpected terrorist attrocity. Third, you are instructed to take action by forming apropriate language descrition of your perception and bundle it together with your suspicions and hand it over to a person with a mandate to deal with the problem. Language is the recommended tool here for grasping the reality, a supposedly safe tool to handle potentially expolsive reality. There are experts for safe handling the physical reality, who should take appropriate actions.
Taking things out of context has been one of the most favorite strategies of visual artists. Once a thing is taken out of its original context it starts to gravitate towards multitude of meanings. It becomes a loose object that one can align against a whole number of grids within one’s own experience. My favorite language for handling found objects is video. Fragments of reality are taken and tested for their potential to enter various contexts. This is where the subject enters: the word video comes from Latin and literally translates as “I see”. What we can draw out of that definition is that video is a very personal perception. There is the “I” – the subject. My strategy in working with video is comparable to Barthes’ search for “punctum” in photography. I select things that for me seem to have that “punctum”, a point of triggering a thought process, a process of aligning the perception to multiple cognitive grids.
The activitiy of associating is an important ingredient in games for its potetntial to undermine rigid meanings of things, objects, words, thoughts. It is a playful and cheerful destruction with a potential to rejuvenate our view of the world around us. I offer several moving images for your scrutiny found in the world that for you is the daily life. Is there a trigger? Is there anything explosive in there? Is there a potential for some free associations? Let me propose another scenario, possibly a more positive one: IF YOU SEE SOMETHING, SAY ANYTHING.

installaition photos >

exhibition organized as accompanying programme to summer shakuhachi school
with support from Chemistry gallery

fotograph taken of five artists included in the weekend edition of hospodarske noviny newspaper
online version of the article (in czech) to be found here

lorem ipsum  II.

videoinstallation (3 tv sets, camera, rubberbands)

these
social situation: five men tied-up

the other
social situation: daniel.heart12

lorem ipsum 01 (tv set feedback)

lorem ipsum 02 (hanging camera feedback)

lorem ipsum 03 (baudrillard on random)

audrey horne at one-eyed jack’s

excerpt from the twin peaks series used in the installation

ideal lover

camera 7

banská bystrica 25 / 06 / 2008

two videos for depeche mode
video installation

a morning spent with ugly little pubertal monsters with attention deficit disorder

they came, introduced themselves bugsle, fox and killjoy and delivered a highly concetrated and nutritious set of noise and industrial music.

five track sound application created by michal mariánek

spontaneous performance by an anonymous gallery visitor.
yes, all you need is a plastic bottle and a contact microphone.

steve smith aka mindbeam music throws a party at add soundsystem

erixikora & 2046 do bicycle musique concrete at add soundsystem

at radio 1 inteview by babe ln about the add ss
czech and slovak language

audio installation “technovoices” by darina alster

add soundsystem ver. 2.0 program
http://addsoundsystem.org

6. 5. Milan Guštar – Instrument X (lecture)
8. 5. Darina Alster – Technovoices (installation)
9. 5. eriXikora / 2046
10. 5. Mindbeam music
13. 5. Martin Janíček – Sounds-Noises-Structures
14. 5. Dan Vlček – Relax Core
15. 5. Michal Mariánek – Diagrams
16. 5. marek eisler et al. – back to the lab
20. 5. childrens’ workshop with Darina Alster
22. 5. Beseppy
23. 5. New Media Art Audiences mini-symposium, Slávo Krekovič
24. 5. Tomáš Vaněk
25. 5. Pavel Tichoň
26. 5. Viktor Takáč
27. 5. ADD soundsystem in context (artist talk)
28. 5. Akita.y
29. 5. Lasonick + Cabowitz
30. 5. Deus Ex Machina
1. 6. Rafani

radio ad for the add soundsystem show
read by aurelie besson
music by dj francoise perrin

petr krušelnický aka antena plays ADD soundsystem.
noise bubble bath

sound installtion at CIANT gallery

opening night live performance by dj francoise perrin and audience

more at http://addsoundsystem.org

tech support by milan guštar
installation: sheeba, steve, darina, me

photo by loopin

interviewed by jan mucska 2046 at gallery in vinohradská tržnice in prague.
listen here, interview is in czech and slovak language

water graffiti by my friend marek eisler.
“dost” means “enough”.

on april 8th 2008 at cross club, prague
i will play a live set with krusha aka antena
my new aka is dog translucent and i was made a headliner probably by an accident

easy talk redux

source footage shot at easy talk, performance by antena group at nod theatre, prague, 21 / 02 / 2008

for sylva and darina
download the text file here: bublanina (in slovak and english)

excerpts from a performance done as an introduction to screening of film faceless by manu luksch.
out of george orwell’s 1984 i selected all passages describing faces and read them aloud with a white mask on. it’s in czech, sorry.
screening took place at kino světozor as part of regular weekly experimental screening series titled audiovisual curated by sylva poláková. screening was brought by tranzit, initiative for contemporary art.

meeting nick currie aka momus, whom i admire greatly for his brilliant music and lyrics, his critical thinking, humor and irony. momus exhibited one piece at “a spoken word exhibition” curated by mathieu copeland at gallery tranzitdisplay in prague and performed two passages from his upcoming “book of jokes” at the opening of the exhibition. in the middle photo nick performs his exhibited piece for me himself. i’m not telling.

photos by jiří thýn

momus: book of jokes performance pt. 1

momus: book of jokes performance pt. 2 and 3

city gallery prague, old town hall, march 5th – april 13th 2008
opening on march 4th
curated by václav magid

video on display:
vestido nuevo, versión 2


text by václav magid, pdf format, czech language

exhibition and concert at venue “skutecnost” (reality)
francouzská 76, prague 1 on feb. 27th 2008, from 7 pm

reality transfer

installation photos

video and installation notes: this two channel piece was conceived for venue called “skutečnost” (reality), which resides in the basement of czech inn hostel in prague – vinohrady. the male lavatories in the hostel have a very peculiar interior design: above the toilet bowl there is a narrow horizontal mirror which allows one to see one’s face when standing up and there is a similar mirror above the urinal at such height that one can see his own crotch when standing up. for these mirrors i staged an ambiguous and violent little event and transfered it downstairs into the gallery space on two television sets in two niches with mirrors so that the viewer can only see the tv screen in the mirror. venue “reality” doesn’t currently have lavatories – so all its visitors have to use those upstair in the hostel.
photos by vincek

theatrical installation of video works old and new with a sushi bar
on february 19th 7:30 pm at theatre nod, dlouhá 33, prague

stage assistance by krusha
sushi by 2046
guitar solo by ladislav václav kouba

poster by marek meduna
text by jiří ptáček, download, rtf format, czech language
playlist, download, pdf format
go to artyčok tv to see documentation of the event

valentine for a wolf-cub named T.

skáče jak píská, nod gallery, prague, curated by jiří ptáček
exhibiting artists: radim labuda, václav magid, pavla malinová, alexander peroutka, filip smetana, václav stratil, martin zet

work shown: untitled (double bust self-portrait with hiccups)
videoinstallation, loop

cosas que hacer en el prado

kaleidoskop, show of czech videoart at la casa encendida in madrid, screenings on november 6th, 20th and 27th, curated by susana blas and zdeněk tušek
screening on november 20th accompanied with my talk on czech videoart scene featuring works by jesper alvaer, eva koťátková, erik sikora, vasil artamonov & alexey klyukov, jan šerých, jan nálevka, tamara moyzes, daniela baráčková, jan vlček, pavel tichoň, martin zet, ivan svoboda and mark ther with mentions of recent activities in czech videoart scene like simple living (exhibition at museul brukhetal, sibiu, romania, 2007, curated by anetta mona chisa and liviana dan), punctum (exhibition at futura gallery, 2007, prague, curated by vaclav magid), czechpoint (first shown at gallery nod, prague, 2006, exhibition of political art curated by tamara moyzes and zuzana štefková)

rainy day in madrid

at c2c gallery, prague
curated by ivana moncoľová and zuzana štefková
work on display: behind the scenes, see june 2006

unsafe distance
cellar of the stone bell house, city gallery prague
curated by pavel sedlák
part of enter3, 3rd international festival for arts, sciences and technologies
organised by ciant

exhibited work: the all-seeing eye II, videoinstallation, created 2006

international exhibition of political art at museum of art žilina
curated by tamara moyzes and zuzana štefková
curator for the museum of art in žilina: mira putišová
architecture concept: radim labuda (myself)
includes my video push the button
http://uk.youtube.com/watch?v=lJt7a5P8lM4

academy of fine arts in prague at national gallery – veletržní palác
exhibition of past and present students and their professors
includes my video 16 stones

galerie půda, jihlava, czech republic, 23 / 10 / 07 – 09 / 11 / 07
curated by lucie berková

videocamera is a catatonic digital memory, indifferent to what it is watching and what it is listening to. it is never going to protest, however boring the subject it is pointed at may be. it will write down anything that comes within its view and records any sound within its earshot. vidocamera is a sampling tool. lethargically, as it is expected to, it will take samples of the visual and aural reality, which appears from its viewpoint as an indifferent array of possible configurations of image pixels. the apparatus is completely unaware how unique the recorded cofiguration is and that it is impossible to reconstruct it the same way again. the memory of the apparatus is completely different to that of its operator. the contradictions between the two leads to a complex relationship. at times it may be a harmony, other times a conflict, there are moments of deep affection and periods of mutual ignorance.

videoinstallation fractal zoom (liberty st.) consists of several footages anchored in time and space. place is a house on street of liberty (if the operator’s memory is correct) number 2 and time is last ten day of may 2006. lethargic observations capture some of the inhabitants in their activities, movements in or around the house, explore the surrounding space or just scan for compositions. they investigate larger picture, cut out and zoom in on details of time and space. process of viewing is also a process of listening and remembering. impressionist slice and concrete life.

2 liberty st., san francisco, california
coordintes:
geo:lat=37.75759801271979 geo:lon=-122.42160111665726
geo:lat=37.757612856756765 geo:lon=-122.42133557796478
geo:lat=37.75740079880286 geo:lon=-122.42158502340317
geo:lat=37.757422004625624 geo:lon=-122.42131143808365
to see the videos go back to posts from 2006 and watch entries for may 24th and 26th (some other coming up)

at galerie půda, jihlava, czech republic

bathroom of the flat at the gallery in žilina
žilina, slovakia 19 / 10 / 07

exhibition of czech videoart curated by anetta mona chisa & liviana dan
at muzeul brukenthal, sibiu, romania

indestructible romanian plastic money
sibiu, romania, 11 / 10 / 07

expektorans, sekretolytikum

trygva’s apartment in berlin. hope i was’t too annoying while you were asleep next door, tryggs…
greetings to kevin too.

westfalia comfort

travelling to třebešice in václav girsa´s fabulous vw westfalia, co-starring silvina arismendi, jan vidlička, ivan svoboda and me.

walk of fame

mark ther leaves his mark at the třebešice walk of fame installed by ondřej brody as part of rajc, presentation of the třebešice artist-in-residence participants’ works.

homesystem

homesystem by groupe guma guar at třebešice videokemp 2007 with support by add soundsystem.

more about the events at třebešice castle on august 11th 2007
here: http://futuraproject.cz/cz/exhibitions/rajc/index.htm
and here: http://www.artycok.tv/2007/videokemp-2007/

at jakub nepraš’s tree house near všestudy. three rather impressionistic observations from the treee party 2007. this year it was very quiet, but magic nonetheless – as it always is…

tea ritual

a hare

forest

today – finally, after lengthy delays, here it is: i got my first skirt designed by jan mucska of http://emblem.cc. this model is called martin and it has been designed especially for (none other than) martin c. schmidt of matmos.

male skirt, model martin by jan mucska, emblem.cc
fabulous, isn’t it?

laurie anderson live in prague, low-fi souvenir

videoart in public space, opava, may 3rd – may 13th 2007, curated by blanka švédová, featured artists: jesper alvaer, eva jiřička, radim r. labuda, petra pětiletá and martin zet .

matmos performing live in krems, austria. posted with the artists’ permission. martin plays slovak folk instrument called “koncovka”.

a quick, involuntary inhalation that follows a spasm of the diaphragm and is suddenly checked by closure of the glottis, producing a short, relatively sharp sound

prague, 22 / 11 / 06

caro gardavsky’s spontaneous outrageous performance with sculpture by tomasz mroz (self-portrait) at c2c gallery.
prague, 24 / 08 / 06

san francisco, mission dolores park, 30 / 05 / 06

man playing a guitar, how very picasso-esque..!
san francisco, 26 / 05 / 06

rachel on the balcony, liberty st., san francisco, 24 / 05 / 06

san francisco, cook st., 20 / 05 / 06

san francisco, 19 / 05 / 06

prague, 03 / 04 / 06

prague, 08 / 11 / 05

nepraš treee party, všestudy, 2005